Samson et Dalila, Op. 47: Act I: Maudite a jamais soit la race...
Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier
Saint-Saens: Samson Et Dalila (Paris Opera) (1946)
2:13 February 18, 2001
BPM
113
Key
E♭ Major
Camelot
5B

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Samson et Dalila, Op. 47: Act I: Maudite a jamais soit la race... - Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier Information

Acousticness
99%
Danceability
39%
Energy
23%
Instrumentalness
2%
Liveness
60%
Loudness
73%
Speechiness
5%
Valence
47%
Popularity
Loudness
-16.491 dB

Summary

Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier made "Samson et Dalila, Op. 47: Act I: Maudite a jamais soit la race..." available on February 18, 2001. The duration of Samson et Dalila, Op. 47: Act I: Maudite a jamais soit la race... is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Samson et Dalila, Op. 47: Act I: Maudite a jamais soit la race...'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Saint-Saens: Samson Et Dalila (Paris Opera) (1946)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Samson et Dalila, Op. 47: Act I: Maudite a jamais soit la race... is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Samson et Dalila, Op. 47: Act I: Maudite a jamais soit la race... BPM

With Samson et Dalila, Op. 47: Act I: Maudite a jamais soit la race... by Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Samson et Dalila, Op. 47: Act I: Maudite a jamais soit la race... Key

E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

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ISRC
HKI190015206
Label
L-M Records/RCA Records

Section: 0.8416116237640381

End: 0.8466808795928955