"I speglarnas sal (In the Hall of Mirrors): 4th Movement" by Karl-Birger Blomdahl, Margareta Hallin, Barbro Ericson, Sven-Erik Vikstrom, Anders Näslund, Bengt Rundgren, Swedish Radio Choir, Royal Stockholm Philharmonic Orchestra, Sixten Ehrling was released on January 1, 1992. With this song being about 5 minutes long, at 5:24, "I speglarnas sal (In the Hall of Mirrors): 4th Movement" by Karl-Birger Blomdahl, Margareta Hallin, Barbro Ericson, Sven-Erik Vikstrom, Anders Näslund, Bengt Rundgren, Swedish Radio Choir, Royal Stockholm Philharmonic Orchestra, Sixten Ehrling is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 11 in Chamber Music In the Hall of Mirrors by Karl-Birger Blomdahl, Royal Stockholm Philharmonic Orchestra, Sixten Ehrling. In terms of popularity, I speglarnas sal (In the Hall of Mirrors): 4th Movement is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I speglarnas sal (In the Hall of Mirrors): 4th Movement by Karl-Birger Blomdahl, Margareta Hallin, Barbro Ericson, Sven-Erik Vikstrom, Anders Näslund, Bengt Rundgren, Swedish Radio Choir, Royal Stockholm Philharmonic Orchestra, Sixten Ehrling is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 1 | 8B | 77 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Romeo and Juliette: Prologue: Verone vit jadis deux familles rivales | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | D Major | 0 | 10B | 108 BPM | ||
Symphony No.1 in D minor, Op.13: 2. Allegro animato | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | F Major | 0 | 7B | 94 BPM | ||
Macbeth: Overture (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | F Minor | 0 | 4A | 106 BPM | ||
Requiem | Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon | A Minor | 1 | 8A | 60 BPM | ||
Salome, Op. 54 / Scene 1: "Wie schön ist die Prinzessin Salome heute Nacht!" | Richard Strauss, Marianne Rorholm, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F Minor | 2 | 4A | 109 BPM |
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