"Esto mihi: I. Esto mihi" by Heinrich Isaac, Owain Park, The Gesualdo Six was released on October 29, 2021. The duration of Esto mihi: I. Esto mihi is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Esto mihi: I. Esto mihi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Gesualdo Six, Johannes Ockeghem, Owain Park, Josquin des Prez, Loyset Compère, Antoine Brumel, Pierre de la Rue, Antoine de Févin, Jean Mouton, Adrian Willaert, Heinrich Isaac, Jean L'héritier's "Josquin's Legacy: Motets of the 15th & 16th Centuries" album is number 20 out of 30. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Esto mihi: I. Esto mihi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Esto mihi: I. Esto mihi by Heinrich Isaac, Owain Park, The Gesualdo Six to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Greiner, Zancker, Schnöpfitzer | Piffaro | D Major | 1 | 10B | 102 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Viderunt omnes No. 1: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 79 BPM | ||
Dominica II Adventus: III. Alleluia V. Lætatus summ (Alleluia) | Heinrich Isaac, Schola Hungarica, László Dobszay | G Minor | 1 | 6A | 69 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
Klusas dziemas (silent songs): II. Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM |
Section: 0.6006197929382324
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