"Ave Maria, D. 839 - Live in Modena, 1987" by Franz Schubert, Luciano Pavarotti, Robert Kettelson was released on January 1, 2010. With this song being about 5 minutes long, at 4:52, "Ave Maria, D. 839 - Live in Modena, 1987" by Franz Schubert, Luciano Pavarotti, Robert Kettelson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 70 out of 115. On top of that, United States appears to be the country where this track was created. Ave Maria, D. 839 - Live in Modena, 1987 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria, D. 839 - Live in Modena, 1987 by Franz Schubert, Luciano Pavarotti, Robert Kettelson to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pastorale | Choralbeatpeople | G Major | 1 | 9B | 83 BPM | ||
Schwanensee, Op. 20: Scene: Odette and the Swans return to the lake | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 1 | 9B | 82 BPM | ||
4 Impromptus, Op. 90, D. 899: Impromptu No. 1 in C Minor | Franz Schubert, Jenő Jandó | C Minor | 0 | 5A | 96 BPM | ||
Aprile | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | D♭ Major | 2 | 3B | 71 BPM | ||
In questa tomba oscura, WoO.133 | Ludwig van Beethoven, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D♭ Major | 1 | 3B | 88 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Nikolaus Harnoncourt, Vienna State Opera Chorus | G Minor | 4 | 6A | 77 BPM | ||
L'elisir d'amore, Act. I - Quanto è bella quanto è cara | Gaetano Donizetti, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | C Major | 3 | 8B | 70 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | F Major | 2 | 7B | 83 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
In the Bleak Midwinter (Arr. for Piano by Martin Stadtfeld) | Gustav Holst, Martin Stadtfeld | F Major | 0 | 7B | 131 BPM |
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