Nikolai Rimsky-Korsakov, Vladimir Galusin, Bulat Minjelkiev, Vladimir Ognovienko, Galina Gorchakova, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev's 'The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 2: Gaida! Gai!' came out on January 1, 1999. The duration of The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 2: Gaida! Gai! is about 3 minutes long, at 3:10. Based on our data, "The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 2: Gaida! Gai!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 76 in the song's album "Rimsky-Korsakov: The Legend Of The Invisible City Of Kitezh". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Netherlands. The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 2: Gaida! Gai! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 2: Gaida! Gai! by Nikolai Rimsky-Korsakov, Vladimir Galusin, Bulat Minjelkiev, Vladimir Ognovienko, Galina Gorchakova, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Antonio Vivaldi, Capella Istropolitana | B Minor | 3 | 10A | 107 BPM | ||
The Snow Maiden / Prologue: Introduction - "Konyets zimye; propyeli petukhi" | Nikolai Rimsky-Korsakov, Drago Dimitrievich, Belgrade National Opera Orchestra, Kreshimir Baranovich | C Major | 1 | 8B | 125 BPM | ||
A Night On The Bare Mountain | Modest Mussorgsky, Orchestre Symphonique de Montréal, Kent Nagano | D Major | 1 | 10B | 102 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM |
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