Ernest Chausson, Gérard Souzay, Jacqueline Bonneau's 'Le Charme, Op.2, No.2 (Silvestre)' came out on January 1, 2003. The duration of Le Charme, Op.2, No.2 (Silvestre) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Le Charme, Op.2, No.2 (Silvestre)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 28 in Fauré/Chausson: French Airs by Gérard Souzay, Jacqueline Bonneau. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Le Charme, Op.2, No.2 (Silvestre) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Charme, Op.2, No.2 (Silvestre) by Ernest Chausson, Gérard Souzay, Jacqueline Bonneau is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
The Sea: No. 3 Moonlight | Frank Bridge, New Zealand Symphony Orchestra, James Judd | E Minor | 0 | 9A | 78 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: III. Finale - Allegro giocoso, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | A Major | 3 | 11B | 138 BPM | ||
String Sextet in D Minor, Op. 70, "Souvenir de Florence": II. Adagio cantabile e con moto | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Major | 1 | 10B | 127 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Chanson perpétuelle, Op. 37 (Version for Mezzo-Soprano & Piano Quintet) | Ernest Chausson, Magdalena Kozená, Sir Simon Rattle, Wolfram Brandl, Rahel Rilling, Yulia Deyneka, David Adorján | F♯ Minor | 1 | 11A | 90 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM |
Section: 0.6114776134490967
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