"Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VII. Grazioso" by Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra was released on July 1, 1997. The duration of Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VII. Grazioso is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VII. Grazioso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 28 in Brahms: The Four Symphonies, Academic Festival Overture & Variations on a Theme by Joseph Haydn by Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VII. Grazioso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VII. Grazioso by Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
African Suite: V. Akinla | Fela Sowande, Menuhin School Senior Orchestra, Otis Enokido-Lineham | A Major | 2 | 11B | 59 BPM | ||
Tromsö 2018 IV | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM | ||
Piano Concerto No. 1 in D Minor, Op. 15: III. Rondo. Allegro non troppo | Johannes Brahms, Michael Korstick, Constantin Trinks, Deutsches Symphonie-Orchester Berlin | B♭ Major | 2 | 6B | 103 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Viola Concerto: I. Andante comodo | William Walton, Lawrence Power, Ilan Volkov, BBC Scottish Symphony Orchestra | A Minor | 1 | 8A | 139 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 11 in D Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | A Minor | 1 | 8A | 95 BPM |
Section: 0.6300735473632812
End: 0.6333880424499512