"21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 11 in D Minor" by Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride was released on July 1, 2016. The duration of 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 11 in D Minor is about 3 minutes long, at 3:23. Based on our data, "21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 11 in D Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 24 in Brahms: Violin Concerto in D Major & 21 Hungarian Dances by Johannes Brahms, Joseph Joachim, Baiba Skride, Sakari Oramo, Lauma Skride. In terms of popularity, 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 11 in D Minor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 11 in D Minor by Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: II. Scherzo. Allegro molto | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Minor | 1 | 9A | 109 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
Sonata For Violin And Piano No.5 In F, Op.24 - "Spring": 2. Adagio molto espressivo | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | B♭ Major | 0 | 6B | 77 BPM | ||
Concert fantasie on La forza del destino, Op. 1 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | B Major | 1 | 1B | 95 BPM | ||
Dors mon enfant!, Op. 30 (Version for Violin & Piano) | Camillo Sivori, Rachel Barton Pine, Matthew Hagle | A Major | 0 | 11B | 88 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
String Quartet, Op. 76, No. 4 in B-Flat Minor, 'Sunrise': I. Allegro con spirito | Joseph Haydn, Matangi Quartet | F Major | 1 | 7B | 136 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM |
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