"La Valse D'Amélie - From "Amelie From Montmartre"" by Music Lab Collective, Valentina Lisitsa was released on March 30, 2015. The duration of La Valse D'Amélie - From "Amelie From Montmartre" is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. La Valse D'Amélie - From "Amelie From Montmartre"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 25 in Chilled Piano - Themes by Music Lab Collective. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, La Valse D'Amélie - From "Amelie From Montmartre" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Valse D'Amélie - From "Amelie From Montmartre" by Music Lab Collective, Valentina Lisitsa is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Swan (The Carnival of the Animals) | Camille Saint-Saëns, Music Lab Collective | C Major | 1 | 8B | 71 BPM | ||
Morning Song | John Lenehan, Music Lab Collective | C Major | 1 | 8B | 70 BPM | ||
Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude | Iris Azquinezer | G Major | 1 | 9B | 140 BPM | ||
Dawn - From "Pride & Prejudice" | Dario Marianelli, Music Lab Collective | C Major | 1 | 8B | 70 BPM | ||
Saint-Saëns: Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Major | 0 | 9B | 175 BPM | ||
Time Marches On | Rachel Currea | A♭ Minor | 1 | 1A | 125 BPM | ||
Forget Me Nots | James Spiteri | A Minor | 0 | 8A | 73 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
La Luce Nel Cuore | Bruno Bavota | E♭ Minor | 1 | 2A | 72 BPM |
Section: 0.9094254970550537
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