"Verdi : La Traviata : Act 3 "Addio, del passato bei sogni ridenti" [Violetta, Chorus]" by Giuseppe Verdi, Gabriele Santini, Maria Callas, Orchestra Sinfonica Di Torino Della Rai was released on 1954. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giuseppe Verdi, Gabriele Santini, Maria Callas, Orchestra Sinfonica Di Torino Della Rai's "La Traviata" album is number 13 out of 36. Verdi : La Traviata : Act 3 "Addio, del passato bei sogni ridenti" [Violetta, Chorus] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Verdi : La Traviata : Act 3 "Addio, del passato bei sogni ridenti" [Violetta, Chorus] by Giuseppe Verdi, Gabriele Santini, Maria Callas, Orchestra Sinfonica Di Torino Della Rai to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
La traviata / Act III: "Signora" - "Che t'accadde?" - "Parigi, o cara, noi lasceremo" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 102 BPM | ||
La traviata / Act II: "Pura siccome un angelo" | Giuseppe Verdi, Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 81 BPM | ||
L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" | Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | D♭ Major | 1 | 3B | 90 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Aida / Act 2: Vieni, o guerriero vindice | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 0 | 4B | 81 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM |
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