Adams: Nixon in China: Act I, Scene 2 - "Founders Came First, then Profiteers." - John Adams, Edo de Waart, Orchestra of St. Luke's Information

Acousticness: 95%
Danceability: 36%
Energy: 12%
Instrumentalness: 1%
Liveness: 29%
Loudness: 63%
Speechiness: 5%
Valence: 20%
Popularity: 8%
Loudness: -22.254 dB

Summary

John Adams, Edo de Waart, Orchestra of St. Luke's's 'Adams: Nixon in China: Act I, Scene 2 - "Founders Came First, then Profiteers."' came out on November 1, 1996. Since Adams: Nixon in China: Act I, Scene 2 - "Founders Came First, then Profiteers." is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #10. Adams: Nixon in China: Act I, Scene 2 - "Founders Came First, then Profiteers." is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Adams: Nixon in China: Act I, Scene 2 - "Founders Came First, then Profiteers." BPM

With Adams: Nixon in China: Act I, Scene 2 - "Founders Came First, then Profiteers." by John Adams, Edo de Waart, Orchestra of St. Luke's having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Adams: Nixon in China: Act I, Scene 2 - "Founders Came First, then Profiteers." Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
El Niño: La Annunciacion	John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin	E Minor	1	9A	81 BPM
Strauss, R: An Alpine Symphony, Op. 64: VI. By the Waterfall - Apparition	Minnesota Orchestra, Edo de Waart	D Major	2	10B	127 BPM
Piano Concerto No. 1 in F sharp minor, Op. 1: 2. Andante	Sergei Rachmaninoff, Rafael Orozco, Rotterdam Philharmonic Orchestra, Edo de Waart	F Major	2	7B	84 BPM
Let the Bright Seraphim from Samson, HWV 57 - Voice	George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's	D Major	1	10B	103 BPM
Tosca / Act 2: "Tosca, finalmente mia!"	Giacomo Puccini, Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis	D♭ Minor	4	12A	108 BPM
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember	John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore	A♭ Major	3	4B	83 BPM
Requiem: II. Dies irae "Mors stupebit"	Giuseppe Verdi, London Symphony Orchestra, Michele Pertusi, Gianandrea Noseda	D♭ Major	0	3B	76 BPM
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest"	Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti	E♭ Major	2	5B	128 BPM
Stabat Mater, FP 148: 10. Fac ut portem	Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver	D♭ Minor	1	12A	76 BPM
The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus	Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé	B♭ Major	2	6B	48 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7729766368865967

End: 0.7769954204559326