- BPM
- 81
- Key
- E Minor
- Camelot
- 9A
El Niño: La Annunciacion - John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin Information
- Acousticness
- 98%
- Danceability
- 23%
- Energy
- 11%
- Instrumentalness
- 1%
- Liveness
- 60%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 11%
- Popularity
- 1%
- Loudness
- -21.826 dB
Summary
"El Niño: La Annunciacion" by John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin was released on 2001. Since El Niño: La Annunciacion is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 24 in El Nino by John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin. El Niño: La Annunciacion is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
El Niño: La Annunciacion BPM
The tempo marking of El Niño: La Annunciacion by John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
El Niño: La Annunciacion Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Trois Chansons de Bilitis, L. 90: III. Le tombeau des Naïades | Claude Debussy, Roger Vignoles, Véronique Gens | A Major | 0 | 11B | 130 BPM | |
 | The Dream of Gerontius, Op. 38, Pt.2: Thy judgement now is near | Sir Edward Elgar, Alice Coote, Paul Groves, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | |
 | Das Rheingold, WWV 86A / Vierte Szene: "Bruder, hieher! Weise der Brücke den Weg! ... Zur Burg führt die Brücke" | Richard Wagner, Donald Grobe, Robert Kerns, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 82 BPM | |
 | Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | |
 | Adams: Nixon in China: Act I, Scene 2 - "Like the Ming Tombs." | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 1 | 7B | 96 BPM | |
 | Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | |
 | The Rake's Progress / Act I / Scene III: "I Go, I Go to Him" (Anne) | Igor Stravinsky, Deborah York, London Symphony Orchestra, John Eliot Gardiner | C Major | 1 | 8B | 135 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | |
 | Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM | |
 | Symphony In D Minor: 3. Allegro non troppo | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5746634006500244
End: 0.5803284645080566