"Leise rieselt der Schnee" by Traditional, Diana Damrau, Richard Whilds, NDR Radiophilharmonie had its release date on November 4, 2022. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Leise rieselt der Schnee's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Diana Damrau, Riccardo Minasi, Richard Whilds, NDR Radiophilharmonie's "My Christmas" album is number 3 out of 35. On top of that, United Kingdom appears to be the country where this track was created. Leise rieselt der Schnee is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leise rieselt der Schnee by Traditional, Diana Damrau, Richard Whilds, NDR Radiophilharmonie to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
The Legend of the 12 Robbers | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 70 BPM | ||
Somma: Ave Maria | Bonaventura Somma, Schola Cantorum San Daniele, Angelo Zanatta, Donato Cuzzato | A♭ Major | 1 | 4B | 87 BPM | ||
Ecce Quomodo Moritur | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 173 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Laudate Dominum | Wolfgang Amadeus Mozart, Lucia Popp, Kurt Eichhorn | A Major | 1 | 11B | 132 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began) | Alfred Schnittke, Dale Warland Singers, Dale Warland | G Major | 0 | 9B | 76 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM |