Christoph Willibald Gluck, John Eliot Gardiner, Orchestre de l'Opéra de Lyon's 'Gluck : Iphigénie en Aulide : Act 1 "Non, jamais" [First Greek Woman, Second Greek Woman, Third Greek Woman]' came out on May 1, 1988. The duration of Gluck : Iphigénie en Aulide : Act 1 "Non, jamais" [First Greek Woman, Second Greek Woman, Third Greek Woman] is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Gluck : Iphigénie en Aulide : Act 1 "Non, jamais" [First Greek Woman, Second Greek Woman, Third Greek Woman]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, José van Dam, John Eliot Gardiner, Orchestre de l'Opéra de Lyon's "Gluck : Iphigénie en Aulide" album is number 15 out of 69. On top of that, France appears to be the country where this track was created. Based on our statistics, Gluck : Iphigénie en Aulide : Act 1 "Non, jamais" [First Greek Woman, Second Greek Woman, Third Greek Woman]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck : Iphigénie en Aulide : Act 1 "Non, jamais" [First Greek Woman, Second Greek Woman, Third Greek Woman] by Christoph Willibald Gluck, John Eliot Gardiner, Orchestre de l'Opéra de Lyon to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Andante spianato et Grande polonaise brillante, Op. 22: Andante spianato. Tranquillo | Frédéric Chopin, Martha Argerich | G Major | 0 | 9B | 127 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Orphee et Eurydice, Act II, Dance of the Blessed Spirits, Orfeo ed Euridice, Act II: Orfeo ed Euridice, Act II: Dance of the Blessed Spirits (arr. for flute and harp) | Donald Sosin, Christoph Willibald Gluck, Nora Shulman, Judy Loman | F Major | 1 | 7B | 82 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM |
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