Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Don, Din, Don, Din.... (Coro)
Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti
Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci
2:27 1979
BPM
133
Key
C Major
Camelot
8B

Embed

Share Link

Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Don, Din, Don, Din.... (Coro) - Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti Information

Acousticness
97%
Danceability
30%
Energy
16%
Instrumentalness
35%
Liveness
16%
Loudness
68%
Speechiness
4%
Valence
14%
Popularity
Loudness
-19.457 dB

Summary

"Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Don, Din, Don, Din.... (Coro)" by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti was released on 1979. The duration of Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Don, Din, Don, Din.... (Coro) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Don, Din, Don, Din.... (Coro)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 5 out of 44. Based on our statistics, Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Don, Din, Don, Din.... (Coro)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Don, Din, Don, Din.... (Coro) BPM

We consider the tempo marking of Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Don, Din, Don, Din.... (Coro) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Don, Din, Don, Din.... (Coro) Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) by Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireLes Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus)Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireA♭ Major14B103 BPM
Tre giorni son che Nina by Giovanni Battista Pergolesi, Carlo Bergonzi, Felix LavillaTre giorni son che NinaGiovanni Battista Pergolesi, Carlo Bergonzi, Felix LavillaG Major19B133 BPM
Adriana Lecouvreur / Act 1: Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella"Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoA♭ Major14B82 BPM
Orphée et Eurydice: J'ai perdu mon Eurydice by Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion FrancaiseOrphée et Eurydice: J'ai perdu mon EurydiceMaria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion FrancaiseC Major28B71 BPM
Los Pescadores de Perlas Los Pescadores de Perlas "Mi Par D'udir Ancora"Alfredo KrausD Major210B168 BPM
Der Freischütz, J. 277 / Act I: Walzer by Carl Maria von Weber, Staatskapelle Dresden, Carlos KleiberDer Freischütz, J. 277 / Act I: WalzerCarl Maria von Weber, Staatskapelle Dresden, Carlos KleiberA Major411B182 BPM
Catalani: La Wally, Act 1: Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally)Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio OrchestraE Major112B84 BPM
Dvořák: Rusalka, Op. 114, B. 203, Act 1: Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka)Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio OrchestraF♯ Major12B96 BPM
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro moltoAntonín Dvořák, Oslo Philharmonic Orchestra, Mariss JansonsE Minor19A112 BPM
La Gioconda / Act 3: Dance Of The Hours by Amilcare Ponchielli, Staatskapelle Dresden, Silvio VarvisoLa Gioconda / Act 3: Dance Of The HoursAmilcare Ponchielli, Staatskapelle Dresden, Silvio VarvisoE Major012B138 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8408403396606445

End: 0.8449289798736572