Amandus Ivanschitz, Ars Antiqua Austria's 'Sinfonia in D a 4 Stromenti: Violino 1, Violino 2, Viola obligato e Basso: Menuetto-Trio-Menuetto' came out on November 4, 2022. The duration of Sinfonia in D a 4 Stromenti: Violino 1, Violino 2, Viola obligato e Basso: Menuetto-Trio-Menuetto is about 3 minutes long, at 3:24. Based on our data, "Sinfonia in D a 4 Stromenti: Violino 1, Violino 2, Viola obligato e Basso: Menuetto-Trio-Menuetto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 20 in Chamber Music at the Abbey of Lambach by Amandus Ivanschitz, Ars Antiqua Austria. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Sinfonia in D a 4 Stromenti: Violino 1, Violino 2, Viola obligato e Basso: Menuetto-Trio-Menuetto's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Sinfonia in D a 4 Stromenti: Violino 1, Violino 2, Viola obligato e Basso: Menuetto-Trio-Menuetto by Amandus Ivanschitz, Ars Antiqua Austria is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: III. Allegro non tanto | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | D Major | 2 | 10B | 121 BPM | ||
Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: III. Largo | George Frideric Handel, London Baroque | A Major | 0 | 11B | 77 BPM | ||
Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berlin Baroque Compagney | E Major | 0 | 12B | 116 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Mandolin Concerto in E-Flat Major: I. Allegro maestoso | Giovanni Paisiello, Avi Avital, Il Giardino Armonico, Giovanni Antonini | E♭ Major | 2 | 5B | 176 BPM | ||
Suonata À Solo Facto Per Monsieur Pisendel Del Vivaldi In C, RV 2 | Antonio Vivaldi, La Serenissima, Adrian Chandler, violin | C Major | 0 | 8B | 95 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Suite Premiere - Ii. Menuet I-Ii-I (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Major | 1 | 5B | 134 BPM | ||
Sinfonia in B Minor, RV 169, "Al Santo Sepolcro": Adagio molto - Allegro ma poco | Antonio Vivaldi, Akademie für Alte Musik Berlin | B Major | 1 | 1B | 77 BPM | ||
Concerto grosso in B-Flat Major, Op. 6 No. 7, HWV 325: I. Largo | George Frideric Handel, Camerata Nordica, Daniel Hansson | F Major | 0 | 7B | 171 BPM |
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