Robert Schumann, Andreas Staier's 'Aus Sieben Clavierstücke in Fughettenform, Op. 126: IV. Lebhaft' came out on November 18, 2008. The duration of Aus Sieben Clavierstücke in Fughettenform, Op. 126: IV. Lebhaft is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Aus Sieben Clavierstücke in Fughettenform, Op. 126: IV. Lebhaft's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Schumann: A Tribute to Bach - Kinderszenen; Waldszenen; Album für die Jugend". In this album, this song's track order is #25. Furthermore, we believe that the track originated from France. In terms of popularity, Aus Sieben Clavierstücke in Fughettenform, Op. 126: IV. Lebhaft is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aus Sieben Clavierstücke in Fughettenform, Op. 126: IV. Lebhaft by Robert Schumann, Andreas Staier having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Musica callada I Angelico | Federico Mompou, Arcadi Volodos | A Minor | 0 | 8A | 93 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Monique Haas | D♭ Minor | 0 | 12A | 81 BPM | ||
Piano Sonata No. 28 in A Major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto - Recorded 2021-2 | Ludwig van Beethoven, Maurizio Pollini | A Major | 0 | 11B | 167 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM |
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