"Sonata for Bassoon and Piano, Op. 168: III. Molto adagio - Allegro moderato" by Camille Saint-Saëns, Bram van Sambeek, Ellen Corver was released on March 1, 2012. Sonata for Bassoon and Piano, Op. 168: III. Molto adagio - Allegro moderato is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The song is number 7 out of 15 in Bassoon Kaleidoscope by Bram van Sambeek, Maria-Paula Majoor, Rick Stotijn, Joost Bosdijk, Ellen Corver, Sven Figee, Marijn Korff de Gidts. Sonata for Bassoon and Piano, Op. 168: III. Molto adagio - Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Bassoon and Piano, Op. 168: III. Molto adagio - Allegro moderato by Camille Saint-Saëns, Bram van Sambeek, Ellen Corver is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: VII. Courant Limpide | Franz Burgmüller, Benedikt David | D Major | 1 | 10B | 134 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM |
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