"Lagrime di San Pietro: XII. Quel volto, ch’era poco inanzi stato" by Orlande de Lassus, Gallicantus, Gabriel Crouch was released on September 2, 2013. The duration of Lagrime di San Pietro: XII. Quel volto, ch’era poco inanzi stato is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Lagrime di San Pietro: XII. Quel volto, ch’era poco inanzi stato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orlande de Lassus, Gallicantus, Gabriel Crouch's "Lassus: Lagrime Di San Pietro" album is number 12 out of 21. The popularity of Lagrime di San Pietro: XII. Quel volto, ch’era poco inanzi stato is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lagrime di San Pietro: XII. Quel volto, ch’era poco inanzi stato by Orlande de Lassus, Gallicantus, Gabriel Crouch to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere Mei (feat. Orlando Di Lasso) | The Schola Cantorum of St. John XXIII Parish, Orlande de Lassus | G Major | 1 | 9B | 135 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
Lagrime di San Pietro: XVI. O vita troppo rea | Orlande de Lassus, Gallicantus, Gabriel Crouch | F Major | 1 | 7B | 64 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem | Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher | D Major | 2 | 10B | 177 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM | ||
Viderunt omnes No. 1: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 128 BPM |
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