"Preludes: Chan d'extase dans une paysage triste (Song of Ecstasy in a Sad Landscape)" by Olivier Messiaen, Håkon Austbø had its release date on September 28, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen's "Messiaen: Preludes / 4 Rhythmic Studies / Canteyodjaya" album is number 2 out of 13. Preludes: Chan d'extase dans une paysage triste (Song of Ecstasy in a Sad Landscape) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Preludes: Chan d'extase dans une paysage triste (Song of Ecstasy in a Sad Landscape) by Olivier Messiaen, Håkon Austbø to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L. 117: VI. Des pas sur la neige | Claude Debussy, Arturo Benedetti Michelangeli | D Minor | 0 | 7A | 75 BPM | ||
L'Amour de loin, Premier acte: Traversée | Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 3 | 3A | 48 BPM | ||
Lyric Pieces, Op. 43: No. 1, Butterfly | Edvard Grieg, Håkon Austbø | F♯ Minor | 1 | 11A | 68 BPM | ||
Symphony No.2: 1. Andante moderato | Charles Ives, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 112 BPM | ||
Quatuor pour la fin du temps: 8. Louange à l'Immortalité de Jésus | Olivier Messiaen, Gil Shaham, Paul Meyer, Jian Wang, Myung-Whun Chung | E Major | 0 | 12B | 90 BPM | ||
Petite ouverture à danser | Erik Satie, Håkon Austbø | F Minor | 0 | 4A | 81 BPM | ||
Sonata for Four Hands, FP 8: I. Prelude | Francis Poulenc, Lucille Chung, Alessio Bax | C Minor | 1 | 5A | 83 BPM | ||
Visions fugitives, Op.22: 2. Andante | Sergei Prokofiev, Anna Gourari | E♭ Major | 0 | 5B | 66 BPM | ||
Liebesfreud | Fritz Kreisler, Sergei Rachmaninoff | F Major | 1 | 7B | 86 BPM | ||
Der Bote | Valentin Silvestrov, Alexei Lubimov | C Minor | 0 | 5A | 70 BPM |