"7 Pieces enfantines (7 Children's Pieces): La vieille mendiante (The Old Beggar-Woman)" by Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart was released on June 6, 1994. With 7 Pieces enfantines (7 Children's Pieces): La vieille mendiante (The Old Beggar-Woman) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 6 out of 12 in Flem: Symphony No. 4 / Le Grand Jardinier De France / Pour Les Morts by Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart, Gilles Nopre. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 7 Pieces enfantines (7 Children's Pieces): La vieille mendiante (The Old Beggar-Woman) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Pieces enfantines (7 Children's Pieces): La vieille mendiante (The Old Beggar-Woman) by Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: Overture - "Help, Lord" - "The deep affords no water!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 79 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
Otello: Affettuoso | Gioachino Rossini, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
Studies for the Piano, Op. 65: No. 4 Allegretto | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Cinderella, Op. 87, Act II: The Stepsister's Dance | Sergei Prokofiev, WDR Sinfonieorchester Köln, Michail Jurowski | A♭ Major | 3 | 4B | 91 BPM |
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