"Otello: Affettuoso" by Gioachino Rossini, Orchestra del Teatro Carlo Felice, Jochen Rieder had its release date on February 2, 2024. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 25 in Breathe by Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Otello: Affettuoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Otello: Affettuoso by Gioachino Rossini, Orchestra del Teatro Carlo Felice, Jochen Rieder is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Suite No. 1 for Chamber Orchestra: I. Andante | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
Undescribable Beauty | Frédéric Chopin, Paolo Giacometti, Rotterdam Young Philharmonic, Arie Van Beek | A♭ Major | 0 | 4B | 77 BPM | ||
Marionettes, No. 2: La Poupée valsante (Arr. Kreisler) | Mak Ka-Lok, Alexandra Kouznetsova, Nison Kravets, Eremey Tsukerman, Lilia Lukianenko, Vladimir Rora, Alexander Konsistorum, Anatoly Lukiyanenko, Andrei Stepine, Hung Chi-Mei | D Major | 3 | 10B | 91 BPM | ||
William Tell Overture | Gioachino Rossini, Arthur Fiedler, Boston Pops Orchestra | E Major | 6 | 12B | 169 BPM | ||
Sarabande et Allegro (arr. L. Lencses): Allegro | Lajos Lencsés, Gabriel Grovlez, Toulouse National Chamber Orchestra, Alain Moglia | D Major | 2 | 10B | 114 BPM | ||
Im Frühling, D. 882 - Arr. for Cello & Piano by Trey Lee | Franz Schubert, Trey Lee, Georgy Tchaidze, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
Concerto grosso in F, Op. 6, No. 12 - Rev. Vittorio Negri (1923 - ): 3. Adagio | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Marijke Smit Sibinga, I Musici | D Minor | 0 | 7A | 89 BPM |