"Paroles Tissées: Dormez Cette Paleur Nous Est Venue De Loin (Sleep This Pallor Comes To Us From Afar)" by Polish National Radio Symphony Orchestra, Piotr Kusiewicz, Witold Lutosławski was released on February 28, 1997. With this song being about 5 minutes long, at 5:16, "Paroles Tissées: Dormez Cette Paleur Nous Est Venue De Loin (Sleep This Pallor Comes To Us From Afar)" by Polish National Radio Symphony Orchestra, Piotr Kusiewicz, Witold Lutosławski is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Polish National Radio Symphony Orchestra's "Lutoslawski: Symphony No. 3 / Paganini Variations / Paroles Tissées / Les Espaces Du Sommeil" album is number 5 out of 7. Paroles Tissées: Dormez Cette Paleur Nous Est Venue De Loin (Sleep This Pallor Comes To Us From Afar) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paroles Tissées: Dormez Cette Paleur Nous Est Venue De Loin (Sleep This Pallor Comes To Us From Afar) by Polish National Radio Symphony Orchestra, Piotr Kusiewicz, Witold Lutosławski to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caprice andalous in G Major, Op. 122 | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 1 | 10B | 61 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): I. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 76 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Concerto In A Major For Pianoforte And Orchestra, KV 488: III. Allegro assai | Wolfgang Amadeus Mozart, Shoko Sugitani, Takao Ukigaya, Polish National Radio Symphony Orchestra | A Major | 1 | 11B | 130 BPM | ||
Berceuse Op. 16 | Gabriel Fauré, Slovak Radio Symphony Orchestra, Keith Clark | D Major | 1 | 10B | 127 BPM | ||
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM |
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