"Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft)" by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra was released on January 1, 1989. With this song being about 5 minutes long, at 5:25, "Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft)" by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Preludes and Overtures by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra, New Philharmonia Orchestra. The song's track number on the album is #7 out of 18 tracks. Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Eine Alpensinfonie: VI. Auf dem Gipfel | Richard Strauss, Bernard Haitink, London Symphony Orchestra | C Major | 1 | 8B | 78 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
The Mountain Thrall, Op. 32 | Edvard Grieg, Carole Farley, London Philharmonic Orchestra, José Serebrier | A♭ Major | 1 | 4B | 72 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Eine Alpensinfonie: IX. Ausklang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 72 BPM | ||
Prince Igor (Knyaz Igor): Act III: Polovtsian March | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 3 | 4B | 128 BPM |
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