Henry Purcell, Richard Hickox, Collegium Musicum 90 made "Timon of Athens, Masque: Curtain Tune on a Ground" available on May 1, 1994. The duration of Timon of Athens, Masque: Curtain Tune on a Ground is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Timon of Athens, Masque: Curtain Tune on a Ground's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Purcell: Dioclesian Masque & Timon of Athens Masque". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Timon of Athens, Masque: Curtain Tune on a Ground's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Timon of Athens, Masque: Curtain Tune on a Ground by Henry Purcell, Richard Hickox, Collegium Musicum 90 having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Christina Pluhar, Sarah Ridy, Haru Kitamika, L'Arpeggiata | G Minor | 0 | 6A | 169 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Fantasy Upon One Note | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Susanna Hefti, Martin Zeller | E Major | 1 | 12B | 133 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Concerto in C Major for Mandolin, Strings and Continuo, RV 425: I. Allegro | Antonio Vivaldi, L'Arte dell' Arco, Mauro Squillante, Federico Guglielmo | C Major | 4 | 8B | 103 BPM | ||
Ouverture in B Minor: IV. Menuet | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 0 | 3B | 179 BPM | ||
Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM |
Section: 0.6454870700836182
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