Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"
Ludwig van Beethoven, John Ogdon
Pure Classical
2:59 June 16, 2008
BPM
133
Key
A Minor
Camelot
8A

Embed

Share Link

Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" - Ludwig van Beethoven, John Ogdon Information

Acousticness
100%
Danceability
31%
Energy
21%
Instrumentalness
94%
Liveness
7%
Loudness
73%
Speechiness
5%
Valence
33%
Popularity
Loudness
-16.356 dB

Summary

Ludwig van Beethoven, John Ogdon's 'Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"' came out on June 16, 2008. The duration of Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Pure Classical". In this album, this song's track order is #4. Based on our statistics, Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" BPM

With Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" by Ludwig van Beethoven, John Ogdon having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lyric Pieces, Book 1, Op. 12: Arietta by Edvard Grieg, Einar Steen-NøklebergLyric Pieces, Book 1, Op. 12: AriettaEdvard Grieg, Einar Steen-NøklebergE♭ Major05B111 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) by Franz Schubert, Franz Liszt, Khatia BuniatishviliStändchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)Franz Schubert, Franz Liszt, Khatia BuniatishviliD Major010B67 BPM
Symphony No. 6 (Arr. Piano) by Music Lab Collective, Ludwig van BeethovenSymphony No. 6 (Arr. Piano)Music Lab Collective, Ludwig van BeethovenF Major07B101 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail JurowskiSpartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail JurowskiE Major212B123 BPM
Rondo capriccioso in E Major, Op. 14, MWV U67: 1. Andante by Felix Mendelssohn, Jan LisieckiRondo capriccioso in E Major, Op. 14, MWV U67: 1. AndanteFelix Mendelssohn, Jan LisieckiE Major012B70 BPM
Scheherazade: The Sea & Sinbad's Ship by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: The Sea & Sinbad's ShipNikolai Rimsky-Korsakov, Joakim SvenhedenE Major112B82 BPM
Allegretto for String Quartet in B, WoO 210 by Ludwig van Beethoven, Endellion String Quartet, Andrew Watkinson, Ralph De Souza, Garfield Jackson, David WatermanAllegretto for String Quartet in B, WoO 210Ludwig van Beethoven, Endellion String Quartet, Andrew Watkinson, Ralph De Souza, Garfield Jackson, David WatermanB Minor110A84 BPM
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles by Pyotr Ilyich Tchaikovsky, Valentina LisitsaSouvenir de Hapsal, Op. 2, TH 125: 3. Chant sans parolesPyotr Ilyich Tchaikovsky, Valentina LisitsaF Major07B100 BPM
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major by Franz Liszt, Jenő JandóLiebestraume, S541/R211 : No. 3: Nocturne in A-Flat MajorFranz Liszt, Jenő JandóA♭ Major04B60 BPM
Suite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressif by Claude Debussy, Alain PlanèsSuite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressifClaude Debussy, Alain PlanèsD♭ Major03B67 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6057136058807373

End: 0.6088495254516602