Leontyne Price's ' "God Rest Ye Merry Gentlemen" was released on its scheduled release date, March 3, 1959. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. God Rest Ye Merry Gentlemen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Presenting Leontyne Price". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, God Rest Ye Merry Gentlemen's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With God Rest Ye Merry Gentlemen by Leontyne Price having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vittoria, mio core! | Giacomo Carissimi, Cecilia Bartoli, György Fischer | C Major | 1 | 8B | 91 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Fauré: Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | D Major | 0 | 10B | 60 BPM | ||
Die lustige Witwe / Act 2: Vilja-Lied | Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 97 BPM | ||
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Volksliedchen, Op. 51, No. 2 | Robert Schumann, Leontyne Price, David Garvey | G Major | 0 | 9B | 170 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 0 | 10B | 80 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM |