Franz Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum's 'Symphony in G, H.I No.94 - "Surprise": 2. Andante - Excerpt' came out on April 13, 2020. The duration of Symphony in G, H.I No.94 - "Surprise": 2. Andante - Excerpt is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Symphony in G, H.I No.94 - "Surprise": 2. Andante - Excerpt's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work From Home With Haydn by Franz Joseph Haydn. The song's track number on the album is #1 out of 88 tracks. In terms of popularity, Symphony in G, H.I No.94 - "Surprise": 2. Andante - Excerpt is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Symphony in G, H.I No.94 - "Surprise": 2. Andante - Excerpt by Franz Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Symphony in G, H.I No.94 - "Surprise": 2. Andante - Excerpt being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Symphony in D Major, Op. 3, No. 2: IV. Prestissimo | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 1 | 10B | 89 BPM | ||
Symphony in B-Flat Major, Op. 3, No. 4, W. C4: II. Andantino, sempre piano | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 0 | 5B | 80 BPM | ||
Piano Trio No. 12, Hob. XV: 36: Piano Trio No. 12, Hob. XV: 36: III. Finale | Joseph Haydn, Trio Gaspard | E♭ Major | 1 | 5B | 142 BPM | ||
Violin Concerto in G Major (completed by G. Rose): II. Adagio | Johann Nepomuk Hummel, Alexander Trostianski, Russian Philharmonic Orchestra, Gregory Rose | G Major | 1 | 9B | 92 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM |
Section: 0.6718728542327881
End: 0.6803383827209473