Johann Christian Bach, Berliner Barock Compagney made "Quintet in F Major, Op. 22, No. 2: I. Allegro con moto" available on January 1, 2005. Since Quintet in F Major, Op. 22, No. 2: I. Allegro con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in Bach, J.C.: Chamber Music - Opp. 8, 11, 22 / Sextet in C Major by Johann Christian Bach, Berliner Barock-Compagney. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Quintet in F Major, Op. 22, No. 2: I. Allegro con moto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Quintet in F Major, Op. 22, No. 2: I. Allegro con moto by Johann Christian Bach, Berliner Barock Compagney is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance in F Major for Violin and Orchestra, Op. 50 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | F Major | 0 | 7B | 87 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: I. Allegro con brio | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 89 BPM | ||
Suite in 3 Movements, Op. 116: I. Allegretto | Benjamin Godard, Kenneth Smith, Paul Rhodes | B♭ Major | 1 | 6B | 92 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo: Allegro scherzando | Martha Argerich, Bavarian Radio Symphony Orchestra | B Minor | 1 | 10A | 96 BPM | ||
Salieri : Piano Concerto in C major : II Larghetto | Antonio Salieri, Andreas Staier & Concerto Köln, Concerto Köln | C Major | 0 | 8B | 126 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Keyboard Sonata in B-Flat Major, Op. 5 No. 1, W. A1: I. Allegretto | Johann Christian Bach, Rachel Heard | G Major | 0 | 9B | 133 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Symphony in F Major, J-C 36: II. Andante | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 102 BPM |
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