- BPM
- 96
- Key
- B Minor
- Camelot
- 10A
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo: Allegro scherzando - Martha Argerich, Bavarian Radio Symphony Orchestra Information
- Acousticness
- 99%
- Danceability
- 15%
- Energy
- 7%
- Instrumentalness
- 4%
- Liveness
- 9%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 12%
- Loudness
- -26.402 dB
Summary
"Piano Concerto No. 1 in C Major, Op. 15: III. Rondo: Allegro scherzando" by Martha Argerich, Bavarian Radio Symphony Orchestra was released on November 17, 2009. Since Piano Concerto No. 1 in C Major, Op. 15: III. Rondo: Allegro scherzando is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Argerich plays Beethoven and Mozart Concertos by Martha Argerich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Piano Concerto No. 1 in C Major, Op. 15: III. Rondo: Allegro scherzando is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo: Allegro scherzando BPM
The tempo marking of Piano Concerto No. 1 in C Major, Op. 15: III. Rondo: Allegro scherzando by Martha Argerich, Bavarian Radio Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo: Allegro scherzando Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | |
 | Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | |
 | Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | |
 | Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | |
 | Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | |
 | 4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM | |
 | 3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo | Bedřich Smetana, Jitka Čechová | F♯ Major | 0 | 2B | 73 BPM | |
 | 24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
| 24 Préludes, Op. 28: No. 20 in C Minor: Largo | Frédéric Chopin, Martha Argerich | A♭ Major | 0 | 4B | 130 BPM |
- ISRC
- DELW70970103
- Label
- L-M Records/RCA Records
Section: 0.7406225204467773
End: 0.7495729923248291