Johann David Heinichen, Amsterdam Loeki Stardust Quartet, Academy of Ancient Music, Christopher Hogwood made "Concerto in C Major, S. 211: II. Pastorell (Ed. Ilse Hechler)" available on April 3, 1994. The duration of Concerto in C Major, S. 211: II. Pastorell (Ed. Ilse Hechler) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Concerto in C Major, S. 211: II. Pastorell (Ed. Ilse Hechler)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 26 in Concerti di Flauti by Amsterdam Loeki Stardust Quartet, Academy of Ancient Music, Christopher Hogwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Concerto in C Major, S. 211: II. Pastorell (Ed. Ilse Hechler) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Concerto in C Major, S. 211: II. Pastorell (Ed. Ilse Hechler) by Johann David Heinichen, Amsterdam Loeki Stardust Quartet, Academy of Ancient Music, Christopher Hogwood is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Come? S'imbruna il ciel! Occhi piangete!, S. 29: Come? S'imbrune il ciel | Johann David Heinichen, Elena Harsányi, Elvira Bill, Mirko Ludwig, Kölner Akademie, Michael Alexander Willens | B Minor | 1 | 10A | 111 BPM | ||
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Concerto Decimo Con L'Eco, B Dur: II. Larghetto | Alessandro Marcello, Venice Baroque Orchestra | E Major | 0 | 12B | 85 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Concerto À 5 In E Minor: 3. Vivace | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 1 | 2A | 114 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM |
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