Alessandro Stradella, Le Banquet Céleste, Damien Guillon's ' "Morirai, morirai" was released on its scheduled release date, March 27, 2020. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Stradella: San Giovanni Battista". In this album, this song's track order is #38. Furthermore, we believe that the track originated from France. In terms of popularity, Morirai, morirai is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Morirai, morirai by Alessandro Stradella, Le Banquet Céleste, Damien Guillon having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Io per me non cangerei | Alessandro Stradella, Le Banquet Céleste, Damien Guillon | A Major | 1 | 11B | 100 BPM | ||
Concerto in D Minor; Op. 6 No. 5: II. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 3 | 12A | 135 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Requiem In C Major: XIV. Offertorium, Domine Jes | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Ian Honeyman, Dirk Snellings, Vincent Gregoire | A Major | 1 | 11B | 0 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Oboe Concerto in E Minor, TWV 51:e1: I. Andante | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E♭ Minor | 2 | 2A | 98 BPM | ||
Concerto in F Major, Op. 6 No. 6: I. Adagio | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | G Minor | 1 | 6A | 32 BPM | ||
Il Trespolo tutore, Act II: 2. E ben ché voi ne fate | Alessandro Stradella, Ensemble Mare Nostrum, Andrea De Carlo, Luca Cervoni, Silvia Frigato | A♭ Major | 2 | 4B | 106 BPM | ||
Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria) | Carl Heinrich Graun, Regula Mühlemann | E♭ Major | 4 | 5B | 130 BPM |