Johann Sebastian Bach, Keith Jarrett's 'The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846 - Live in Troy, NY / 1987' came out on January 20, 2021. The duration of The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846 - Live in Troy, NY / 1987 is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846 - Live in Troy, NY / 1987's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach's "J.S. Bach: Study Power" album is number 20 out of 201. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846 - Live in Troy, NY / 1987's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846 - Live in Troy, NY / 1987 by Johann Sebastian Bach, Keith Jarrett to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude | Anonymous , Johann Sebastian Bach, Daxun Zhang | B Minor | 1 | 10A | 135 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM |
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