Juan Ponce, Corina Marti, Arianna Savall's 'Bien perdí mi coraçón' came out on October 8, 2012. The duration of Bien perdí mi coraçón is about 3 minutes long, at 3:21. Based on our data, "Bien perdí mi coraçón" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in La Morra's "Luz del alva" album is number 4 out of 23. On top of that, Germany appears to be the country where this track was created. Bien perdí mi coraçón is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bien perdí mi coraçón by Juan Ponce, Corina Marti, Arianna Savall to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Francesca Lombardi Mazzulli, Cantar Lontano, Marco Mencoboni | D Minor | 0 | 7A | 116 BPM | ||
Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
Vespro della Beata Vergine, SV 206: X. Psalm "Lauda Jerusalem" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Major | 0 | 9B | 100 BPM | ||
Tandernaken, à 3 | Alexander Agricola, Fretwork | G Major | 1 | 9B | 147 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Tres diferencias de Guárdame las vacas por otra parte, Book VI | Luis de Narváez, Xavier Diaz-Latorre | C Minor | 1 | 5A | 73 BPM | ||
Duo Et misericordia eius | The Royal Wind Music, Capella Sancta María, Alfred Fernández | A♭ Minor | 0 | 1A | 126 BPM | ||
Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM | ||
Tandernaken (2) | Matthias Lucht | B Major | 1 | 1B | 65 BPM | ||
Differencias Sobre La Gallarda Milanesa | Antonio de Cabezón, Veronique Musson-Gonneaud | F Major | 1 | 7B | 87 BPM |
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