Leo Slezak's 'Verborgenheit (Laß, O Welt, O Laß Mich Sein!) (Mörike)' came out on May 5, 2010. The duration of Verborgenheit (Laß, O Welt, O Laß Mich Sein!) (Mörike) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Verborgenheit (Laß, O Welt, O Laß Mich Sein!) (Mörike)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 10 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Verborgenheit (Laß, O Welt, O Laß Mich Sein!) (Mörike) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Verborgenheit (Laß, O Welt, O Laß Mich Sein!) (Mörike) by Leo Slezak to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
Maravilla: "Millonario de ilusión" | Luis Sagi Vela | B♭ Minor | 2 | 3A | 92 BPM | ||
Mozart: An Chloe, K. 524 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Am stillen Herd (Stolzing) | Richard Wagner, Leo Slezak, Manfred Gurlitt Orchestra, Manfred Gurlitt | E Major | 1 | 12B | 172 BPM | ||
Tales From The Vienna Woods | Kathryn Grayson | D♭ Major | 1 | 3B | 63 BPM | ||
Wie eiskalt ist dies Händchen (La Bohème) | Leo Slezak | A♭ Major | 1 | 4B | 87 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
Adriana Lecouvreur Act II, Scene 2: L'anima ho stanca | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM |
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