"Maravilla: "Millonario de ilusión"" by Luis Sagi Vela was released on May 15, 1998. The duration of Maravilla: "Millonario de ilusión" is about 3 minutes long, at 3:10. Based on our data, "Maravilla: "Millonario de ilusión"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Maravilla/La Condesa de la Aguja y el Dedal" album is number 1 out of 12. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Maravilla: "Millonario de ilusión" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Maravilla: "Millonario de ilusión" by Luis Sagi Vela to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme, dritter Akt: Dunque e proprio finita | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Los Nardos - Las Leandras (Montilla) | Delia Rubens | A Major | 4 | 11B | 134 BPM | ||
Cavalleria rusticana, Scene 11: Mamma, quel vino è generoso | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM | ||
Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
El Rey Que Rabió: "Duetto: Mientras con los reclutas" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | F Major | 2 | 7B | 134 BPM | ||
El Barberillo de Lavapies (Canción de Paloma) | Teresa Berganza | A Major | 3 | 11B | 143 BPM | ||
Golondrina de Madrid: "Sopló Furioso el Viento de Mi Destino" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
La Rosa del Azafrán: "Juan Pedro y coro general" | Coros Cantores De Madrid, Manuel Ausensi | F Major | 4 | 7B | 73 BPM | ||
Il Pirata, Act I: Più temuto | Vincenzo Bellini, Felice Romani, Franco Vassallo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM |
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