"Confitebor tibi Domine: Sanctum et terribile" by Giovanni Battista Pergolesi, Bernhard Landauer, Thomas Hengelbrock was released on August 16, 1996. The duration of Confitebor tibi Domine: Sanctum et terribile is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Confitebor tibi Domine: Sanctum et terribile's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. Confitebor tibi Domine: Sanctum et terribile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Confitebor tibi Domine: Sanctum et terribile by Giovanni Battista Pergolesi, Bernhard Landauer, Thomas Hengelbrock is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
Bononcini: La Nemica d'Amore fatta amante, Pt. 1: Sinfonia | Giovanni Bononcini, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 2 | 11A | 138 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Was mir behagt, BWV 208: Schafe können sicher weiden (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | A Major | 1 | 11B | 69 BPM | ||
La serva padrona, intermezzo secondo: Aria serpina | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | E Major | 1 | 12B | 127 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM |
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