"Mi par d'udir ancora" by Georges Bizet, Enrico Caruso was released on March 1, 1988. The duration of Mi par d'udir ancora is about 3 minutes long, at 3:28. Based on our data, "Mi par d'udir ancora" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Opera Arias and Songs". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Mi par d'udir ancora is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mi par d'udir ancora by Georges Bizet, Enrico Caruso having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love's Last Word Is Spoken | Mario del Monaco | G Major | 3 | 9B | 84 BPM | ||
King Arthur, or The British Worthy (1691) / Act 3: What Power art thou? | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Major | 1 | 1B | 95 BPM | ||
Le docteur Miracle: Scene 8: Duo: En votre aimable compagnie (Laurette, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Major | 1 | 7B | 85 BPM | ||
Hahn: Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Philippe Jaroussky | B Major | 0 | 1B | 83 BPM | ||
Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou | F♯ Minor | 2 | 11A | 107 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
O sole mio | Tito Schipa | B♭ Major | 2 | 6B | 104 BPM | ||
Carmen (1997 - Remaster), Act I: Avec la garde montante | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 1 | 7A | 122 BPM | ||
El negro Zumbón | Rosemary Standley, Sylvain Griotto | E♭ Major | 2 | 5B | 123 BPM | ||
Sadko: Song Of India | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 75 BPM |
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