Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou's 'Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria)' came out on May 31, 2019. With this song being about 5 minutes long, at 5:15, "Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria)" by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: Arie e cantate per contralto by Antonio Vivaldi, Delphine Galou, Ottavio Dantone, Accademia Bizantina. The song's track number on the album is #2 out of 19 tracks. In terms of popularity, Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria) by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria) being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum Motet à deux choeurs | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | B Major | 3 | 1B | 147 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Nocturne No. 15 in F Minor, Op. 55, No. 1 | Frédéric Chopin, Maria João Pires | F Minor | 0 | 4A | 79 BPM | ||
Vivaldi: Orlando furioso RV 728 / Act 1: Sol da te, mio dolce amore | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | C Minor | 0 | 5A | 80 BPM | ||
Idaspe: "Ombra fedele anch'io" | Riccardo Broschi, Akademie für Alte Musik Berlin, Vivica Genaux, René Jacobs | D♭ Major | 1 | 3B | 175 BPM | ||
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: I Allegro | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 126 BPM | ||
Concerto for Violin & Organ in C Major, RV 774 (Reconstructed by F.M. Sardelli): III. Allegro | Antonio Vivaldi, Federico Guglielmo, Roberto Loreggian, Modo Antiquo, Federico Maria Sardelli | B Major | 2 | 1B | 127 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": VIII. Sicut erat in principio (Allegro non molto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | D♭ Major | 1 | 3B | 93 BPM | ||
Les Indes galantes, RCT 44, Act III: Danse du grand calumet de la paix en rondeau pour les sauvages | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 2 | 11A | 97 BPM | ||
Allegro - Danza Pastorale. Di pastoral zampogna al suon festante...* | Astor Piazzolla, Gidon Kremer, Kremerata Baltica | E Major | 0 | 12B | 97 BPM |
Section: 0.7125768661499023
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