Gustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin, Aurelius Sangerknaben Calw's 'Symphony No. 8 in E Flat Major - "Symphony of a Thousand" / Part 1: Hymnus "Veni creator spiritus": "Accende lumen sensibus"' came out on January 1, 2007. With this song being about 5 minutes long, at 4:53, "Symphony No. 8 in E Flat Major - "Symphony of a Thousand" / Part 1: Hymnus "Veni creator spiritus": "Accende lumen sensibus"" by Gustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin, Aurelius Sangerknaben Calw is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Mahler, Staatskapelle Berlin, Pierre Boulez's "Mahler: Symphony No. 8" album is number 6 out of 24. On top of that, Germany appears to be the country where this track was created. Symphony No. 8 in E Flat Major - "Symphony of a Thousand" / Part 1: Hymnus "Veni creator spiritus": "Accende lumen sensibus" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 8 in E Flat Major - "Symphony of a Thousand" / Part 1: Hymnus "Veni creator spiritus": "Accende lumen sensibus" by Gustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin, Aurelius Sangerknaben Calw to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Fantaisie, Op.79 (Orch. Louis Aubert) | Gabriel Fauré, William Bennett, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 128 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM |
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