Umberto Giordano, Antonietta Stella, Stefania Malagu, Luciana Moneta, Orchestra Del Teatro Dell'Opera Di Roma, Gabriele Santini's 'Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Soffoco, moro tutta chiusa (Maddalena/Bersi/Contessa)' came out on September 5, 1994. With Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Soffoco, moro tutta chiusa (Maddalena/Bersi/Contessa) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Umberto Giordano, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma's "Giordano: Andrea Chénier" album is number 6 out of 44. In terms of popularity, Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Soffoco, moro tutta chiusa (Maddalena/Bersi/Contessa) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Soffoco, moro tutta chiusa (Maddalena/Bersi/Contessa) by Umberto Giordano, Antonietta Stella, Stefania Malagu, Luciana Moneta, Orchestra Del Teatro Dell'Opera Di Roma, Gabriele Santini to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto...Non più mesta" | Gioachino Rossini, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis | F Major | 1 | 7B | 125 BPM | ||
Notturno d'amore | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Ciganské melodie, Op. 55, B. 104 - Arr. by Jiri Teml: IV. Kdyz mne stara matka | Antonín Dvořák, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 2 | 6A | 115 BPM | ||
Roméo et Juliet: Je veux vivre (Act I - Waltz Song) - 1993 Remastered Version | Charles Gounod, Mady Mesple, Choeurs et Orchestre de l'Opéra National de Paris, Jean-Pierre Marty, Orchestre Et Choeurs Du Theatre National | G Major | 1 | 9B | 108 BPM | ||
Andrea Chenier: Act I: O pastorelle, addio! | Umberto Giordano, James Levine | A Major | 2 | 11B | 120 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Amor ti vieta | Umberto Giordano, Enrico Caruso, Gottfried Rabl | C Major | 2 | 8B | 99 BPM |
Section: 0.8418700695037842
End: 0.8556909561157227