- BPM
- 66
- Key
- G Major
- Camelot
- 9B
The Bells, Op. 35: II. Lento (Golden Bells) - Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev, Marina Mescheriakova, The Moscow State Chamber Choir, Vladimir Minin Information
- Acousticness
- 97%
- Danceability
- 8%
- Energy
- 4%
- Instrumentalness
- 52%
- Liveness
- 8%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 1%
- Loudness
- -25.854 dB
Summary
"The Bells, Op. 35: II. Lento (Golden Bells)" by Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev, Marina Mescheriakova, The Moscow State Chamber Choir, Vladimir Minin was released on January 1, 2001. The Bells, Op. 35: II. Lento (Golden Bells) appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Rachmaninov: The Bells / Taneyev: John of Damascus". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. The Bells, Op. 35: II. Lento (Golden Bells) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Bells, Op. 35: II. Lento (Golden Bells) BPM
With The Bells, Op. 35: II. Lento (Golden Bells) by Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev, Marina Mescheriakova, The Moscow State Chamber Choir, Vladimir Minin having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The Bells, Op. 35: II. Lento (Golden Bells) Key
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Trio No. 1 in D Minor, Op. 32: III. Elegia | Anton Arensky, Wilkomirski Trio | G Minor | 0 | 6A | 110 BPM | |
 | Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM | |
 | Rondo capriccioso in E Major, Op. 14, MWV U67: 1. Andante | Felix Mendelssohn, Jan Lisiecki | E Major | 0 | 12B | 70 BPM | |
 | Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | |
 | Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | |
 | Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | |
 | Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Liebesleid | Fritz Kreisler, Sergei Rachmaninoff | A Minor | 0 | 8A | 77 BPM | |
 | Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM |
- ISRC
- DEN960000482
- Label
- L-M Records/RCA Records
Section: 0.6906671524047852
End: 0.6955022811889648