- BPM
- 71
- Key
- C Major
- Camelot
- 8B
La Sonnambula / Act 2: Ah, non credea mirarti - Vincenzo Bellini, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers Information
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 2%
- Instrumentalness
- 2%
- Liveness
- 15%
- Loudness
- 57%
- Speechiness
- 8%
- Valence
- 4%
- Popularity
- 3%
- Loudness
- -25.556 dB
Summary
"La Sonnambula / Act 2: Ah, non credea mirarti" by Vincenzo Bellini, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers was released on August 19, 2002. Since La Sonnambula / Act 2: Ah, non credea mirarti is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "Renée Fleming - Bel Canto Scenes". In this album, this song's track order is #2. La Sonnambula / Act 2: Ah, non credea mirarti is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Sonnambula / Act 2: Ah, non credea mirarti BPM
With La Sonnambula / Act 2: Ah, non credea mirarti by Vincenzo Bellini, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
La Sonnambula / Act 2: Ah, non credea mirarti Key
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | |
 | Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 2 Scene 2: "Ah! del Tebro al giogo indegno fremo io pure" | Vincenzo Bellini, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 93 BPM | |
 | Irene, o L'Assedio di Messina / Act 2: "Ira del ciel" | Giovanni Pacini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A♭ Major | 4 | 4B | 107 BPM | |
 | La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | |
 | Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | |
 | Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | |
 | La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | |
 | L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | |
 | Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | |
 | Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6784975528717041
End: 0.6841211318969727