Teresa Ringholz's 'Abendempfindung K.523' came out on January 1, 2006. With this song being about 5 minutes long, at 4:42, "Abendempfindung K.523" by Teresa Ringholz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Teresa Ringholz's "Mozart Songs: Volume 1" album is number 9 out of 17. In terms of popularity, Abendempfindung K.523 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Abendempfindung K.523 by Teresa Ringholz to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mysliveček: L'Olimpiade: "Che non mi disse un dì" (Argene) | Josef Mysliveček, Vaclav Luks, Sophie Harmsen | E♭ Minor | 1 | 2A | 71 BPM | ||
Nabucco | Verdi | F Major | 1 | 7B | 122 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 26. Chor: Vollendet ist das große Werk | Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | B♭ Major | 4 | 6B | 97 BPM | ||
H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
Armida, Atto primo Scena 2: Ah difendete, amiche (Ismene) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Teresa Iervolino | B♭ Major | 2 | 6B | 64 BPM | ||
La Clemenza di Tito: Atto primo, scena I. No.1 Duetto Sesto, Vitellia "Come ti piace imponi" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Freiburger Barockorchester, René Jacobs, Bernarda Fink | C Major | 1 | 8B | 93 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 4 | 10B | 118 BPM | ||
Missa solemnis in D major, Op. 123: III. Credo: Et resurrexit. Allegro molto | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
The Gondoliers / Act 1: 1. List and Learn | Arthur Sullivan, Glynis Prendergast, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 2 | 10B | 86 BPM |
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