"H.M.S. Pinafore / Act 1: Sorry her lot who loves too well" by Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey was released on January 1, 1959. H.M.S. Pinafore / Act 1: Sorry her lot who loves too well is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey's "Gilbert & Sullivan: H.M.S.Pinafore" album is number 8 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, H.M.S. Pinafore / Act 1: Sorry her lot who loves too well is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of H.M.S. Pinafore / Act 1: Sorry her lot who loves too well by Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4. Oh, false one, you have deceived me | Arthur Sullivan, Christene Palmer, Philip Potter, Royal Philharmonic Orchestra, Isidore Godfrey | G Major | 2 | 9B | 71 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
The House of Life: Love-sight | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | A Major | 0 | 11B | 129 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM | ||
Don Giovanni, K. 527: Act II Scene 6: Aria: Vedrai, carino (Zerlina) | Wolfgang Amadeus Mozart, Bo Skovhus, Janusz Monarcha, Adrianne Pieczonka, Torsten Kerl, Regina Schorg, Renato Girolami, Boaz Daniel, Ildiko Raimondi, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz | E♭ Major | 2 | 5B | 125 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
H.M.S. Pinafore / Act 2: A many years ago | Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, Jean Hindmarsh, John Reed, Thomas Round, Joyce Wright, The New Symphony Orchestra Of London, Isidore Godfrey | E Minor | 1 | 9A | 124 BPM | ||
String Quartet No. 1 in D, Op. 11 - orchestral version: 2. Andante cantabile | Pyotr Ilyich Tchaikovsky, The New Symphony Orchestra Of London, Raymond Agoult | D Major | 2 | 10B | 121 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
19. In vain to us you plead | Arthur Sullivan, Pauline Wales, Jennifer Toye, Thomas Round, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 1 | 5B | 80 BPM |
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