"Le Concert royal de la Nuit, Quatrième Veille, Orphée: Fantaisie pour les Pleurs d'Orphée" by Luigi Rossi, Ensemble Correspondances, Sébastien Daucé was released on September 3, 2015. The duration of Le Concert royal de la Nuit, Quatrième Veille, Orphée: Fantaisie pour les Pleurs d'Orphée is about 3 minutes long, at 3:05. Based on our data, "Le Concert royal de la Nuit, Quatrième Veille, Orphée: Fantaisie pour les Pleurs d'Orphée" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 26 out of 68. On top of that, France appears to be the country where this track was created. In terms of popularity, Le Concert royal de la Nuit, Quatrième Veille, Orphée: Fantaisie pour les Pleurs d'Orphée is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Quatrième Veille, Orphée: Fantaisie pour les Pleurs d'Orphée by Luigi Rossi, Ensemble Correspondances, Sébastien Daucé to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
À Paris sur le petit pont | Pierre Guédron, Véronique Bourin, Doulce Mémoire, Denis Raisin-Dadre | E♭ Major | 1 | 5B | 78 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Music II: Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 49 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | ||
Handel: Theodora, HWV 68, Act 1: "As With Rosy Steps the Morn" (Irene) | George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre | F Major | 1 | 7B | 93 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
Membra Jesu nostri, BuxWV 75: Ic. Ad pedes: Clavos pedum, plagas duras | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Fairy Queen, Z. 629: One charming night - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 133 BPM | ||
Zelenka: Laetatus sum, ZWV 90: V. Gloria. Adagio | Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro | B♭ Minor | 3 | 3A | 66 BPM |
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