Antonio Salieri, Daniela Citino, Maria Teresa Toso, Nikola Yovanovitch, Mario Scardoni, Giovanna Scardoni, Cappella Musicale della Cattedrale di Verona, Alberto Turco's 'La passione di Gesu Cristo: Part I: Vorrei dirti il mio dolore (Maddalena)' came out on August 1, 2013. The duration of La passione di Gesu Cristo: Part I: Vorrei dirti il mio dolore (Maddalena) is about 3 minutes long, at 3:22. Based on our data, "La passione di Gesu Cristo: Part I: Vorrei dirti il mio dolore (Maddalena)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Salieri: La passione di Gesu Cristo". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Italy. Based on our statistics, La passione di Gesu Cristo: Part I: Vorrei dirti il mio dolore (Maddalena)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La passione di Gesu Cristo: Part I: Vorrei dirti il mio dolore (Maddalena) by Antonio Salieri, Daniela Citino, Maria Teresa Toso, Nikola Yovanovitch, Mario Scardoni, Giovanna Scardoni, Cappella Musicale della Cattedrale di Verona, Alberto Turco having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 4. Allegro animato - Stretto (molto accelerando) | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A Major | 4 | 11B | 89 BPM | ||
Concerto for Piano and Orchestra in C Major: III. Andantino | Antonio Salieri, Orchestra del Conservatorio Cimarosa Avellino, Antonio Sinagra, Costantino Catena | C Major | 3 | 8B | 117 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Symphony in D Major, Op. 18, No. 2: III. Minuetto e trio | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 126 BPM | ||
L'Olimpiade: Sinfonia | Domenico Cimarosa, Christophe Rousset, Les Talens Lyriques | B♭ Major | 3 | 6B | 94 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM |
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