"Draussen in Sievering (Arr. Stalla)" by Johann Strauss II, Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-Theussl was released on May 29, 1987. With this song being about 5 minutes long, at 4:30, "Draussen in Sievering (Arr. Stalla)" by Johann Strauss II, Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-Theussl is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 8 in Frühlingsstimmen - Strauss Waltzes by Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-Theussl. Draussen in Sievering (Arr. Stalla) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Draussen in Sievering (Arr. Stalla) by Johann Strauss II, Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-Theussl is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437 | Strauss Festival Orchestra, Johann Strauss II | C Major | 0 | 8B | 181 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM |
Section: 0.6808736324310303
End: 0.6881039142608643