"Schindlers Liste: Thema (Schindlers Liste): Theme (Shindler's List)" by John Williams, Razumovsky Symphony Orchestra, Long Yu was released on March 13, 2000. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 12 in Classics at the Movies: Drama by John Williams, Long Yu, Keith Clark, Robert Stankovsky, Johannes Wildner, Barry Wordsworth, Bohdan Warchal, Keith Brion. In terms of popularity, Schindlers Liste: Thema (Schindlers Liste): Theme (Shindler's List) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schindlers Liste: Thema (Schindlers Liste): Theme (Shindler's List) by John Williams, Razumovsky Symphony Orchestra, Long Yu is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Main Themes - From "Pirates of the Carribean:the Curse of the Black Pearl" | Klaus Badelt, Royal Philharmonic Orchestra;Tolga Kashif | D Minor | 5 | 7A | 102 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Canon in D for Strings and Continuo | Johann Pachelbel, Baroque Chamber Orchestra, Ettore Stratta | D Major | 2 | 10B | 81 BPM | ||
Wagner: Die Walküre, Act III: Ride of the Walkyries | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | B Major | 4 | 1B | 105 BPM | ||
Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alessio Bax | D♭ Minor | 0 | 12A | 63 BPM | ||
La vita è bella: La vita è bella | Nicola Piovani, Trio Schau, Tommaso Lega, Edoardo Lega, Pier Filippo Barbano | D Major | 2 | 10B | 129 BPM | ||
Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 93 BPM | ||
The English Patient: Convento di Sant'Anna (Arr. N. Resier and M. Keller) | Ulrich Herkenhoff, Kurpfälzisches Kammerorchester, Frank Zacher | G Major | 1 | 9B | 85 BPM | ||
The Color Purple: Main Title | Quincy Jones, Rod Temperton, Jeremy Lubbock, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 107 BPM |
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