"Nach dir, Herr, verlanget mich, BWV 150: Leite mich in deiner Wahrheit (Chorus)" by Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki was released on November 30, 1995. With Nach dir, Herr, verlanget mich, BWV 150: Leite mich in deiner Wahrheit (Chorus) being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 20 in Bach, J.S.: Cantatas, Vol. 1 - Bwv 4, 150, 196 by Johann Sebastian Bach, Various Artists, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Nach dir, Herr, verlanget mich, BWV 150: Leite mich in deiner Wahrheit (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nach dir, Herr, verlanget mich, BWV 150: Leite mich in deiner Wahrheit (Chorus) by Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, CPE: Magnificat in D Minor, Wq. 215: IX. Sicut erat | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 3 | 10B | 87 BPM | ||
Magnificat in B flat major: Suscepit Israel | Francesco Durante, Hermann Oswald, Ekkehard Abele, Thomas Hengelbrock | B Major | 0 | 1B | 105 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Nisi Dominus" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Adrien Mabire, Marouan Mankar-Bennis, Pierre Gallon | B♭ Major | 2 | 6B | 129 BPM | ||
Magnificat, RV 610: 9. Gloria Patri | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (1) Coro: Wachet Auf, Ruft Uns Die Stimme | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Johann Sebastian Bach, Sytse Buwalda, Nico Van Der Meel, Pieter Jan Leusink | D Major | 1 | 10B | 86 BPM | ||
Languet anima mea BWV deest 1006: III. Recitativo: Amoris tui iaculo | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Johannes Passion Bwv 245: Chorale: Ach Grosser König | Choir of King's College, Cambridge, Paul Agnew, Michael Chance, Catherine Bott, Stephan Varcoe, Johann Sebastian Bach, Stephan Richardson Christus, John Mark Ainsley Evangelist, Stephan Cleobury | A♭ Major | 1 | 4B | 74 BPM | ||
Requiem: I. Requiem | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | C Minor | 0 | 5A | 69 BPM | ||
Paulus: I. Teil: Nr. 19 Aria mit Chor B "Ich danke dir, Herr, mein Gott" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, Philippe Herreweghe, La Chapelle Royale | G Major | 2 | 9B | 73 BPM | ||
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM |
Section: 0.709327220916748
End: 0.7151269912719727